Samsara is a non-narrative documentary film. However, the filmmaker used brilliant cinematic language to tell a great conceptual story about cycling of life in Buddhism by showing the contemporary cultures and lives of different cultures around the world with delicately designed cinematography and editing. Hence, the paper will talk about how Samsara achieves an almost narrative film by pure visual story telling. The minimum required references is five, but please include more as needed. Please use academic cinematographic languages (editing and narration jargon). The focus point is cinematography, editing and narration. This is a final paper for a film history class, so please also reference classical/textbook films that could be taught in such class as needed.

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