What are the different ethnic associations present in the ceremony? If in a church, is there any evidence of these ethnic associations in commemorative plaques in the congregation, in the sermon, in the background of the clergy?

Can our observation of the Liturgy, the theodicy, and/or the hierarchy tell us about the group’s relation to the maintenance or alteration of gender relations in our society?What is the architectural form of the venue? What devices of light and colour have been used to create an atmosphere in the venue? What is the atmosphere; is it a continuation of the world outside or a radical contrast? What forms of art surround you in the church; how do they support the liturgy?

 

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