How does the work of Rachel MacLean support Baudrillard’s theories of the hyper real, whilst challenging with Roland Barthes theories of mythologies?
How does the grotesque pictures of artist Rachel MacLean relate to Baudrillard’s concept of the ‘hyper-real’ and what limitation gets raised by Barthes’s critique of ideology (myth:critique of dominant ideology) when compared to Baudrilard’s (this is our reality).

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