?What is exciting in the evolution from the first film to the second? Why might this change have taken place? ?What remains central to the concern of the genre? Does the genre uphold an ideology or value that remains constant in spite of the changes? ?Does the second film challenge, question or overturn the genre?s basic idea or value? If so, how does the filmmaker use film form to develop a critical position vis à vis the first film or the genre as a whole (think, here, of how Godard turns the gangster movie into a film about women in French society and gender)?

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